Firstly, head to Rupanyup to see Julia Volchkova's mural of local sporting team members, Ebony Baker and Jordan Weidemann.
Russian artist, Julia, turned her attention to the town’s youth and their great love of team sport. Her work vividly captures the spirit of community and provides an accurate insight into rural youth culture.
Completed over several weeks and unveiled in early 2017, the mural quietly honours the integral role that sport and community play in rural Australian populations.
From Rupanyup, drive on to Sheep Hills to see Adnate's dramatic addition to the Silo Art Trail.
Adnate’s portraits of Wergaia Elder Uncle Ron Marks, Wotjobaluk Elder Aunty Regina Hood, Savannah Marks and Curtly McDonald celebrate the Australian Indigenous culture of northwest Victoria.
The Melbourne-based artist is famous for his paintings of Indigenous people and their land. The Sheep Hills mural features a depiction of local Elders alongside young kids, as a means of signifying the importance of passing down wisdom and customs from one generation to another while the night sky represents elements of local dreaming.
Adnate spent four weeks with the community in late 2016 to conceive and complete the mural. He says that he sought to shine a spotlight on the area’s young Indigenous people and highlight the strong ancestral connection that they share with their Elders.
Journey on to Brim to see Guido van Helten's silo artwork, the very first in Victoria. It portrays four anonymous, local farmers, demonstrating the strength and resilience of the local community.
Being the first of these silo arts to appear in Victoria, the Brim Silo has received international acclaim and shone a spotlight on the Wimmera Mallee region which inspired the establishment of the Silo Art Trail.
Completed in early 2016, with limited financial resources, van Helten’s mural illustrates anonymous female and male farmers from various generations. By rendering the figures as both central and peripheral, present and absent, the work explores shifting notions of community identity at a time when rural populations face both economic pressure and consequences of climate change.
Next stop, Rosebery for female artist, Kaff-eine’s silo artwork.
Before commencing her work in Rosebery, Melbourne artist, Kaff-eine spent time in the Mallee assisting fellow artist Rone on his Lascelles silo project. While she was assisting Rone, Kaff-eine discovered neighbouring towns, exploring the natural environment and familiarising herself with local business owners, families, farmers and children – all with the focus to develop a concept for the Rosebery Silos.
As the only female artist here, Kaff-eine’s artwork represents themes that embody the Mallee's past, present and future through a young lady sheep farmer as well as a horseman.
The silo on the left captures the regions strong, young female farmers which symbolises the future, while the right silo portrays a quiet moment of connection and trust between dear friends – man and horse.
*Our note, before venturing onto the next town, after Rosebery we suggest making your way to Horsham for the night. Take the time to discover the historic township with our guide
Continue on to Lascelles, where Melbourne-based artist Rone has illustrated local farming couple Geoff and Merrilyn Horman, on either side of the town's silo.
This an unearthly representation of a local farming couple, whose family has farmed in the area for four generations, have been portrayed as wise and knowing, nurturing the town’s future with their vast farming experience and longstanding connection to the area.
Finally, travel up to Patchewollock to see Brisbane artist, Fintan Magee's towering portrait of local sheep and grain farmer, Nick 'Noodle' Hulland.
The Patchewollock Silo was inspired by a muse that Fintan met at a pub after he booked a room to immerse himself in the community. Fintan met local sheep and grain farmer, Nick “Noodle” Hulland, during his stay and knew that the rugged, lanky local exemplified the no-nonsense, hardworking spirit of the region – yes, Noodle was to be his muse.
Completed in late 2016, the artist’s interpretation of the famous “Noodle” renders an image of the typical Aussie farmer – faded blue “flanny”, solemn expression, sun-bleached hair and squinting gaze – all of which speak to the harshness of the environment and the challenges of life in the Wimmera Mallee.